Nanna Rosenfeldt-Olsen (Denmark, 1985) works with performance and installation to unsettle the hierarchies between subject and object, investigating nature and fem- ininity as anthropogenic constructs designed with explicit bias. Her work exposes the historical, colonial, or ontological other as attempts to de ne the unstable self in relation to a stable non-self and the role of ordering systems and institutions. Rosenfeldt-Olsen received her MFA from the School of the Art Institute of Chicago (2018). She has exhibited and done performances in the US, Germany and Denmark.